Amazon.de/musik: Yellow Magic Orchestra (Ymo) – Yellow Magic Orchestra Usa & Y jetzt kaufen. [77], YMO also influenced techno music,[78] including its pioneers Juan Atkins, Kevin Saunderson, and Derrick May,[79] who cited YMO as an important influence on their work alongside Kraftwerk. [3][34] According to The Guardian, they "may have just invented hip-hop"; the hip-hop pioneer Afrika Bambaataa credited the band as an inspiration and once remarked that YMO invented hip hop music (in a half-joking manner). Die Mitglieder sind Haruomi Hosono (Bass), Yukihiro Takahashi (Schlagzeug) und Ryuichi Sakamoto (Keyboard). [55] The pace at which the band's music evolved has been acknowledged by critics. Kunden, die diesen Artikel angesehen haben, haben auch angesehen. Diese Seite wurde zuletzt am 14. [4] This resulted in the release of the tribute remix album Yellow Magic Orchestra: Hi-Tech/No Crime in 1993,[4] by leading ambient, house and techno musicians at the time, including The Orb, 808 State, and Orbital. Jetzt bequem online bestellen. Das Yellow Magic Orchestra (Y.M.O.) Mehr von Yellow Magic Orchestra gibt es im Shop. YMO was initially conceived by Hosono as a one-off exploration of computerized exotica and parody of Western conceptions of the orient. From Wikipedia, the free encyclopedia (Redirected from Firecracker (Yellow Magic Orchestra song)) Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. The band was named "Harry Hosono and the Yellow Magic Band" as a satire of Japan's obsession with black magic at the time,[16] and in late 1977 they began recording Paraiso, which was released in 1978. Titel von Yellow Magic Orchestra gibt es schon ab 0,99 €. HASYMO played two live concerts in Europe in the summer of 2008, one at the Royal Festival Hall, London on June 15, as part of the Meltdown festival of music curated by Massive Attack and another in Gijón, Spain, on the 19th. He described Kraftwerk's music as "theoretical, very focused, simple and minimal and strong". [39] In January 2011, KCRW announced for their World Festival concert series that Yellow Magic Orchestra will perform at the Hollywood Bowl on June 26, 2011. Making abundant use of new synthesizers, samplers, sequencers, drum machines, computers and digital recording technology as it became available, as well as utilizing cyberpunk-ish lyrics sung mostly in English, they extended their popularity and influence beyond Japan. 04:03 Autor: Chris Mosdell / Komponisten: Yukihiro Takahashi. Informationen zum Album X ∞ Multiplies (1980) von Yellow Magic Orchestra Nach Erscheinen des Debüts Yellow Magic Orchestra trat die Band im Nachtclub Roppongi Pit Inn in Tokio auf, wo amerikanische Manager des Plattenlabels A&M Records auf sie aufmerksam wurden. Yellow Magic Orchestra - Solid State Survivor - (Vinyl) im Onlineshop von MediaMarkt kaufen. 17 in the UK Charts. [8] They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.[9]. Yellow Magic Orchestra. Their first live album Public Pressure set a record in Japan, topping the charts and selling 250,000 copies within two weeks, while their next studio album X∞Multiplies had 200,000 pre-orders before release. Kostenlose Lieferung für viele Artikel! According to SF Weekly, YMO's musical timeline has gone from "zany exotica-disco spoofs" and "bleeps and blips" in the 1970s to "sensuous musique concrète perfected" in their 1983 albums Naughty Boys and Service. [27] Jackson's version was never released until his first posthumous album, Michael, though his additional lyrics were included in later cover versions of the song by Greg Phillinganes, Eric Clapton, and Ryuichi Sakamoto himself in his 1986 solo release Media Bahn Live. 4,5 von 5 Sternen 84. [18] Hosono and Sakamoto also worked together alongside Hideki Matsutake in early 1978 for Hosono's experimental "electro-exotica" fusion album Cochin Moon, which fused electronic music with Indian music, including an early "synth raga" song "Hum Ghar Sajan". Tong Poo (Live Version) Yellow Magic Orchestra. [30] Young fans of their music during this period became known as the "YMO Generation" (YMO世代, YMO Sedai). Verfassen Sie jetzt einen Fan-Report und teilen Sie Ihre Eindrücke zu Yellow Magic Orchestra. Dieses Genre wurde Ende der 1970er Jahre von ihnen maßgeblich mitbeeinflusst. Für die darauf folgende Tour wurden sie als Not YMO angekündigt. Find Yellow Magic Orchestra bio, music, credits, awards, & streaming links on AllMusic - Pioneering Japanese synth-pop group second only… He later proposed they rename the group Human Audio Sponge when he participates. [16] Their albums Solid State Survivor and X∞Multiplies held the top two spots on the Oricon charts for seven consecutive weeks in 1980, making YMO the only band in Japanese chart history to achieve this feat. Read Full Biography. Their use of sequencing, drum programming and synths were put to very broad use, making very arty, technological, and sophisticated mechanical music. Icons in Japan and the rest of the world, YELLOW MAGIC ORCHESTRA are highly innovative and influencing in the world of electronics, similar to KRAFTWERK. Audio CD. In August 2010, YMO once again closed their World Happiness festival. "[53], Their approach to sampling music was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. Die Band machte diesen kurzen Haarschnitt dort erst salonfähig. [54] Their 1978 hit "Computer Game / Firecracker", for example, sampled Martin Denny's 1959 exotica melody "Firecracker"[16] and arcade game sounds from Space Invaders and Circus. Much of the methods and techniques developed by both Tomita and Matsutake during the early 1970s would later be employed by Yellow Magic Orchestra. [citation needed] Legendary English guitarist Bill Nelson, who had disbanded Be-Bop Deluxe and Red Noise to more recently explore Electropop himself, likewise played on YMO's Naughty Boys (1983), its non-vocals variant Naughty Boys Instrumental (1984) and subsequent solo Yukihiro Takahashi projects, before featuring the latter on two of Nelson's own UK based releases. [16] Successful solo act Akiko Yano (later married to Sakamoto) joined the band for its live performances in the late 1970s and early 1980s, but did not participate in the studio recordings. Mit dem Einsatz immer modernerer Synthesizer, Sampler, Sequenzer und digitaler Aufnahmetechnik, sowie der meist auf Englisch verfassten Texte, die an Cyberpunk erinnerten, wurde Y.M.O. [11] Sakamoto's "Riot in Lagos" was cited by Kurtis Mantronik as a major influence on his early electro hip hop group Mantronix;[90] he included both "Computer Game" and "Riot in Lagos" in his compilation album That's My Beat (2002) which consists of the songs that influenced his early career. They opened with a cover of "Hello, Goodbye" and performed old YMO songs along with their newer songs.[38]. [21][22], While Sakamoto was working on Thousand Knives, Hosono began formulating the idea of an instrumental disco band which could have the potential to reach success in non-Japanese-language territories, and invited Tasuo Hayashi of Tin Pan Alley and Hiroshi Sato of Uncle Buck as participants, but they declined. "Rap Phenomena" from the album was an early attempt at electronic rap. [4][6][7], Solid State Survivor, released in 1979, was YMO's pinnacle recording in Japan, winning the 1980 Best Album Award in the Japan Record Awards. Dieses Genre wurde Ende der Siebziger Jahre des 20. [100], 1978–1983: National and international success, 2002–present: Post-breakup and reformation, YMO – Rydeen 2 (2003 television interview), Tokyo National University of Fine Arts and Music, Learn how and when to remove this template message, Dragon Ball Z: Bardock – The Father of Goku, "Sakamoto hears music's sounds, not its styles", "Back to the future: Yellow Magic Orchestra helped usher in electronica – and they may just have invented hip-hop, too", Harry Hosono And The Yellow Magic Band – Paraiso, Ryuichi Sakamoto – Thousand Knives Of (CD), "Yellow Magic Orchestra: The Pre-MIDI Technology Behind Their Anthems", Yellow Magic Orchestra – Yellow Magic Orchestra, "Artists and producers strive for inroads overseas", "Behind the Mask – Michael Jackson's rarest recording? The most popular international hit from the album was "Firecracker", which would be released as a single the following year and again as "Computer Game", which became a success in the United States and Europe. 01. Die erfolgreichste Singleauskopplung aus dem Album und Y.M.O.s größter internationaler Hit, Behind the Mask, wurde später von Ryuichi Sakamoto für eine Soloveröffentlichung 1987 neu bearbeitet. [91] The song was also later included in Playgroup's compilation album Kings of Electro (2007), alongside later electro classics such as Hashim's "Al-Nafyish" (1983). Various cover versions of "Kimi ni Mune Kyun" (1983) have also been produced by other artists,[73] including The Human League in 1993 ("YMO Versus The Human League")[74] and Asako Toki in 2006. "[45] Kraftwerk was particularly an influence on Sakamoto, who heard the band in the mid-1970s and later introduced them to his fellow band members. [13][14] Also around the same time, the band's future "fourth member" Hideki Matsutake was the assistant for the internationally successful electronic musician Isao Tomita. https://de.wikipedia.org/w/index.php?title=Yellow_Magic_Orchestra&oldid=204529953, „Creative Commons Attribution/Share Alike“. ", "Chris Mosdell, quirky Boulder lyricist, wrote lyrics for newly released Michael Jackson song", "Pioneering Production Economy in the '80s", "Q&A With Ryuichi Sakamoto: Pop Pioneer And Producer And Award-Winning Soundtrack Composer", "Big in Japan: Yellow Magic Orchestra & Cibo Matto | Hollywood Bowl Presented by LA Phil", "Sakamoto gently rallies the troops for No Nukes 2012 | The Japan Times Online", "Yellow Magic Orchestra on Kraftwerk and How to Write a Melody During a Cultural Revolution", "Turning Japanese: The Philosophy of Ryuichi Sakamoto", "It's Easy When You're Big In Japan: Yellow Magic Orchestra at The Hollywood Bowl", "The History Of Roland Part 1: 1930–1978", "Slaves to the rhythm: Kanye West is the latest to pay tribute to a classic drum machine", "Peter Stenshoel's Album of the Week: What, Me Worry? [93], YMO's use of video game sounds and bleeps also had a particularly big influence on 1980s hip hop[94] and pop music. ist ein japanisches Musiktrio, das sich auf Elektropop spezialisiert hat. In 1993, Johnny Black of Hi-Fi News, in a review for the record Hi-Tech/No Crime, described YMO as "the most adventurous and influential electro-techno-dance technicians the world has produced" and further argued that "without them (and Kraftwerk) today's music would still sound like yesterday's music. 1984, nach Veröffentlichung ihres Soundtracks "Propaganda", widmeten sich die Bandmitglieder wieder ihren Solokarrieren, spielten aber dort weiterhin zusammen und traten auch weiter in TV-Sendungen auf. Prior to the group's formation, Sakamoto had been experimenting with electronic music equipment at the Tokyo National University of Fine Arts and Music, which he entered in 1970, including synthesizers such as the Buchla, Moog, and ARP. [11] The group leader Haruomi Hosono had been using an Ace Tone rhythm machine since early in his career in the early 1970s. The band closed the night, and confirmed that "Yellow Magic Orchestra" is their official name, dropping the HASYMO title. Pioneering Japanese synth-pop group second only to Kraftwerk in influence. 05:14 Komponisten: Yukihiro Takahashi. [12] Following the break-up of his band Happy End in 1972, Hosono became involved in the recording of several early electronic rock records, including Yōsui Inoue's folk pop rock album Kōri no Sekai (1973) and Osamu Kitajima's progressive psychedelic rock album Benzaiten (1974), both of which utilized synthesizers, electric guitars, electric bass, and in the latter, electronic drums and rhythm machines. 03. In ihrer asiatischen Heimat genießen sie ein ähnliches Ansehen als Pioniere der elektronischen Musik wie etwa die Gruppe Kraftwerk in Europa und Nordamerika. [10] The group would release several albums before pausing their activity in 1984. Informationen zu Yellow Magic Orchestra (Japan) inkl. [19] The same year, Sakamoto released his own solo album, The Thousand Knives of Ryuichi Sakamoto, experimenting with a similar fusion between electronic music and traditional Japanese music in early 1978. Yellow Magic Orchestra Biography by Jason Ankeny + Follow Artist. [62], At the time, Billboard noted that the use of such computer-based technology in conjunction with synthesizers allowed YMO to create new sounds that were not possible until then. Yellow Magic Orchestra - Ballet Intro guitar pro tab with free online tab player, speed control and loop. [58], The band often utilized a wide variety of state-of-the-art electronic music equipment immediately as they were made available. [3][34] Meanwhile, in Japan, YMO remained the best-selling music act there up until 1982. [53] Sakamoto has expressed that his "concept when making music is that there is no border between music and noise. [29] By 1980, YMO had become the most popular group in Japan, where they were performing to sold-out crowds. Autor: John Lennon - Paul MaCartney / Komponisten: Yellow Magic Orchestra - John Lennon - Paul MaCartney. In HMV Japan's list of top 100 Japanese musicians of all time, YMO were voted second place, behind only Southern All Stars, a pop-rock band who remain largely unknown outside Japan. An der Welttournee 1979 war Gitarrist Kazumi Watanabe als Gast beteiligt. Public Pressure. [59][60][61] It also introduced features such as a keypad to enter note information and 16 KB of RAM which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8–16 step sequencers of the era.

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